In July 2026, filming will begin on “The King’s Algorithm”, a dramatic thriller that delves into one of the most sensitive territories of the present: the invisible control exercised by algorithms, data and networks about our daily decisions. Directed by Alan Greyck and Nicolás Cácereswith a script Juan Payathe film proposes a disturbing look at how reality is constructed today.
A story that bothers because it is real
Far from complacent speeches, “The King’s Algorithm” is positioned as a provocative film that seeks to challenge the viewer and generate questions more than answers. The plot suggests that power is no longer imposed directly, but rather operates silentlythrough systems that process data, anticipate behaviors and shape decisions. In this framework, virtual scams, emotional manipulation and fake news They cease to be isolated events and become part of a larger logic, where victims often do not know that they are victims.
«This film talks about something that is already happening. It is not science fiction: it is now»points out Pablo Yotichone of the protagonists. In the same line, Clara Kovacic adds: “The most disturbing thing is that control is no longer perceived as control”. For its part, Carolina Papaleo highlights: “It is a deeply current, uncomfortable and necessary story”.
A luxury cast for a story of power and manipulation
The film stars Pablo Yotich, Clara Kovacic and Carolina Papaleoand has the participation of Alejandro Fiore, Vanessa Pérez Prieto, Rubén Cuello, Alejandro Müller, Juan Paya and Loren Acuñanext to the special presence of Raúl Rizzo. Starting from this cast, the film builds a universe where bonds, desire, power and manipulation are intertwined in a tense, realistic and contemporary atmosphere.
A local look at a global phenomenon
“Filming this story in Argentina makes it even more powerful. It is a global phenomenon, but with a direct impact on how we live today“says the director Alan Grayckunderlining the intersection between the local and the global that the project crosses.
In a context where information circulates faster than the truth, the film puts tension what we see, what we consume and what we think we are choosing. History suggests that power is no longer imposed directly, but rather operates silently, through systems that process data, anticipate behaviors and shape decisions.
A shoot designed for festivals and platforms
Filming will take place during July 2026 with an intense and modern visual proposal, designed both for the international festival circuit how to global platforms. In a context of transformation of the audiovisual industry, “The King’s Algorithm” is also positioned as a gesture of cultural resistanceproposing a cinema that makes people uncomfortable and reveals the invisible mechanisms of digital power.
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